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EIMEAR MCGEOWN - Flute


EIMEAR MCGEOWN


Anne Lovett is a pianist and composer whose outstanding dynamic virtuosity serves a powerful evocative musical style reflected in her exciting works.

Lovett's compositions crosses the unchartered music frontier from classical to contemporary in original ways using simply a piano or support from effect pedals, balanced amplification and other analogue devices. Her music connects deeply to her listener's senses and takes them onto an emotionally freeing journey.

Like Satie, Anne Lovett was born in Normandie, France. She began piano lessons at the age of three and a few years later entered the CNR de Caen and Rouen under the tuition of Frederic Aguessy. She then went on to study at the Conservatoire Supérieur de Paris with Pierre Reach (a pupil of the great Artur Rubinstein) and Alberto Neuman (a rare student of Arturo Benedetti Michelangeli). At the early age of eleven, she was invited to perform in concert at the Festival International d'Annecy and a year later at the Festival International de Montdauphin.

Despite her classical background, Anne developed a great interest in other musical genres. She also studied jazz and improvised music with Samy

Abenaim of the Bill Evans Piano Academy in Paris and later free improvisation with Keith Tippett.

Following her British roots, she moved to the UK in 1999 to further her education at the Royal Academy of Music in London with Hamish Milne. She also studied composition with Ruth Byrchmore, chamber music with Michael Dussek and jazz with Dominic Alldis. She graduated with Honors in 2003.

During her academic years, Anne has taken part in many master-classes amongst which, with Pierre-Laurent Aimard, Roger Muraro, Miriam Solovieff, Andrei Diev, John O'Connor and Rolf Hind.

Since graduating, Anne has performed throughout Europe including Portugal, Norway, Italy, England and France. Recent notable concerts include the Festival International de Musique de la Hague, the premiere of her "Tokyo Rush” in Norway for the 100 years of the hydroelectric power revolution in Hardanger where Anne represented England in a 3 hours celebration. Forthcoming tour in Brazil-Rio de Janeiro, Brazilia, Sao Paulo.

She has worked with many artists over the years. Notably her sister Maud

Lovett violinist with whom she has won international prizes (at the International chamber music competition in Pinerolo-Italy and at the FNAPEC in Paris); tenor James Oxley; cellist Josephine Knight; viola player Philip Dukes; pianist Nicholas Walker; violonist Catherine Lord amongst others.

Lovett's wide ranging talent has also led to collaborative work with artists from various avenues from acting to dance companies and includes an instrumental project with producer and programmer James Sanger well known for his million selling work with Dido, Keane's "Hope and Fears” album of the year at the Brit Awards 2005, U2, Cure, etc. In 2006 she was commissioned to write a 5.1 surround soundtrack for the Planetarium Ludiver in Normandie.

Her popularity and appeal was demonstrated during the latest competition at MusicAid in December 2007 where Raindrops On Mars was awarded best UK composition (voted by 16,000 people worldwide). She has been broadcasted on the radio France Musique (Radio France group) , for the french national TV network France 3 and the european network Mezzo.

Lovett's broad range of activities doesn't stop with her nurtured talent for writing, she also performs exciting works by favorites Silvestrov, Kapustin, Part, Adams and Piazzolla to name a few.

Representation: worldwide

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Orange Dawn by Ian Clarke


Slow Air on a traditional Irish tune


Fir a Bhata


 

 

 


PRESS REVIEWS FOR EIMEAR MCGEOWN

REVIEWS Ms McGeown evoked the sauve and seductive charms of Faure’s Fantaisie with impressive sensitivity…” Irish Independent 2006 “Concerto in E minor by Mercadante proved to be a brilliant vehicle for Eimear McGeown who shone with beautiful playing and impressive technique…” Pan Flute Magazine 2007 The opening concert of the 2007 Clandeboye Festival on Sunday saw last year's winner, flautist Eimear McGeown, present a varied programme of Classical and Traditional music. McGeown opened the concert with Great Train Race by Ian Clarke, a contemporary piece for solo flute. Full of elaborate extended techniques, it was clearly a demanding work. McGeown's performance was a dazzling display of flute virtuosity. McGeown followed this with a duet with McHale. The pair performed Out of the Cool by Dave Heath. Solemnly opening on piano, the piece was full of lush piano arpeggios and all manner of modal melodies. The duo played with a sensitive understanding of timing and displayed a flair for powerfully conveyed dynamics. Weber's Trio for flute, cello and piano was next. Introduced as "deeply romantic", McGeown, McHale and Peregrine brought the notes to life with delicate emotion that built to a spellbinding close. The first half of the programme came to an end following a performance of Frank Martin's Ballade, a modern piece of music full of dark, brooding passages, rapid scale phrasing, and clever flute cadenzas, and Spiral Lament by Ian Clarke, an exotic and sorrowful piece of music, reflective in nature, which served as a suitable showcase for McGeown's versatility. The second half of the evening was a different but no less enjoyable an affair. Consisting of a number of traditional Irish pieces, the ambience in the intimate setting of the Clandeboye was relaxed and lively. McGeown and Toman gave an engaging, toe-tapping performance.Belfast Telegraph Review, Clandeboye Festival 2007. First convened by Barry Douglas at last year's Clandeboye Festival, the Young Camerata Ireland Trio includes the festival's 2004 and 2006 Young Musician laureates, pianist Michael McHale and flautist Eimear McGeown.Their performance in the National Concert Hall's Summer Sounds at Lunchtime series reached the high standards of technical assurance, instrumental balance and interpretive insight you'd expect from Douglas's proteges.Three individual musical personalities were nonetheless strongly present. In Weber's striking Trio in G minor Op 63, McGeown's sensitive intonation and seemingly inexhaustible breath control revealed an unfamiliar, darkly romantic side to her instrument.Her formidable tongue-and-finger coordination was at its finest in the cascades, trills and chirrups of the Sonate en concert Op 17 (1952) by Jean-Michel Damase - a neo-classical frippery that suggests, but never quite attains, the wit of a Poulenc or the cool of a Jacques Loussier.
Young Camerata Ireland Trio concert review, NCH, John Field Room, Dublin 2007


 

PHOTOGRAPHS OF EIMEAR MCGEOWN


 

RECORDINGS BY Eimear McGeown

 



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